The Liquid Border: El Muerto Arroyo
The Liquid Border: El Muerto Arroyo
Jonathan Reeve Price, The Liquid Border: El Muerto Arroyo, Aluminum Print, 2019, Signed and numbered, verso
Death waits on the far side,
Inevitable as sand.
Beauty has no border,
Knows no boundary, nor frame:
Fais ce que voudras
The landscape escapes, the figure
Flees the ground, and rhyme dies—
La vida es un sueño.
Black and yellow, the corpse
Marked the arroyo,
Without a name or nation,
Who is the leaf on the grass?
24x24 (Edition of 10), $795
12x12 (Edition of 25), $295
This picture has been included in the following juried shows:
On the Rise, Gallery with a Cause, Albuquerque, New Mexico, June 7-August 23, 2019. Curator's Choice Award (Regina Hel
Gateway to Imagination, juried show at the Farmington Museum, Farmington, NM, September 23-December 7, 2019, curator Melanie Yazzie.
About our Process
To make the print durable and archival, we infuse the image directly into the metal. Unlike an oil painting or a paper print, this shiny, hard surface resists scratches, dents, and cracks.
And it is waterproof. So you can hang it in a bathroom or kitchen, where other prints might risk getting damaged by an accidental splash.
Plus: You don't need to put glass in front of our image, or pay for a frame, as you must if you want to protect a paper print.
We think that getting rid of the glass makes the picture more immediate. And removing the traditional layer of glass eliminates distracting glare. Bonus: If you need to pack the picture when you move, you don't have to worry about the glass breaking in the truck.
Hanging your picture
Because the metal plate is rigid, with a raised square in back, you can hang the picture on a single nail. On the wall, the print has a vivid contemporary look.
BTW: In the past, we offered paper prints for the same price as the metal ones. But collectors told us that when they added a traditional frame with matting and protective glass, their total cost doubled. With our metal print, you avoid all these extra expenses. It’s ready to hang, right out of the box.
Provenance
To prove that you are the original owner of this piece, you may, at your option, provide us with a jpg of your face, to insert, in miniature, into the picture, near my signature. Your smile proves that your print is uniquely yours.
On the back of the print, we always attach a Certificate of Authenticity, containing your name, the date of purchase, the name of the artwork, a description, date, and my signature. A paper copy accompanies the print, for your files. This documentation helps you prove what museums call “the provenance,” that is, the chain of ownership, from me to you. That’s helpful when you choose to donate the picture to a museum, or sell it through a gallery.
If you prefer to be anonymous, just let us know, and you can opt out of these methods of authenticity. Just let us know your preference when you place your order.
Collecting is personal.
We want you to be able to talk with friends about your new picture. So the print comes with an artist’s statement. We look forward to hearing your impressions, if you choose to email us, at jonathanreeveprice at gmail.com
Shipping
We package the print in tissue paper and extra layers of cardboard. We ship via US Priority Mail, insured.
Please allow two weeks for printing, packaging, and shipping.
When you receive your order, please check to make sure that the picture is just what you are hoping for. If you have any problem with the picture, please contact jonathanreeveprice at gmail.com. Within 14 days of delivery, we accept returns for a full refund.
To learn more, read the book: The Liquid Border: The Rio Grande from El Paso to the Gulf of Mexico
ISBN 13: 978-0-9719954-3-7
Paperbound:
For Tablet, Phone, Kindle
Want to get in touch? Email me at jonathanreeveprice at gmail.com